is cultural appropriation inevitable?

Warning: the music is really loud for some reason, I think because when I was in Final Cut I was using headphones and didn't realise how loud I'd made the music- sorry!

Thank you so much for watching! Wishing you all a wonderful week :)

REFERENCES:
Assata, Nubia (2022), What is Next for Us
Bird, Stephanie Rose (2009). *[Light, bright, and damned near white : biracial and triracial culture in America](http://archive.org/details/lightbrightdamne0000bird)* . Praeger. p. 69. [ISBN](https://en.wikipedia.org/wiki/ISBN_(identifier)) [978-0-275-98954-5](https://en.wikipedia.org/wiki/Special:BookSources/978-0-275-98954-5)
Dabiri, Emma (2019), Don’t Touch My Hair, ISBN: 9780141986289
Griffin, Chanté (2019), How Natural Black Hair at Work Became a Civil Rights Issue: [https://daily.jstor.org/how-natural-black-hair-at-work-became-a-civil-rights-issue/](https://daily.jstor.org/how-natural-black-hair-at-work-became-a-civil-rights-issue/)
[https://en.wikipedia.org/wiki/Arabic_language_influence_on_the_Spanish_language](https://en.wikipedia.org/wiki/Arabic_language_influence_on_the_Spanish_language)
[https://en.wikipedia.org/wiki/Influence_of_Arabic_on_other_languages](https://en.wikipedia.org/wiki/Influence_of_Arabic_on_other_languages)
Kein, Sybil, ed. (2000). *[Creole : the history and legacy of Louisiana's free people of color](https://www.worldcat.org/oclc/703156104)*. Baton Rouge: Louisiana State University Press. p. 62. [ISBN](https://en.wikipedia.org/wiki/ISBN_(identifier)) [978-0-8071-4205-9](https://en.wikipedia.org/wiki/Special:BookSources/978-0-8071-4205-9). [OCLC](https://en.wikipedia.org/wiki/OCLC_(identifier))[703156104](https://www.worldcat.org/oclc/703156104)
Matthes, E. H. (2016). Cultural Appropriation Without Cultural Essentialism? *Social Theory and Practice*, *42*(2), 343–366. http://www.jstor.org/stable/24871347
Johnathan Jones, 2021, ‘Cultural appropriation is a two-way thing’: Yinka Shonibare on Picasso, masks and the fashion for black artists [https://www.theguardian.com/artanddesign/2021/jun/14/masks-monsters-masterpieces-yinka-shonibare-picasso-africa](https://www.theguardian.com/artanddesign/2021/jun/14/masks-monsters-masterpieces-yinka-shonibare-picasso-africa)
Todd, Loretta (1990). Notes on Appropriation. Parallelogramme 16 (1):24-33.
Weale, Sally (2022) Schools in Great Britain warned not to ban minority pupils’ hair styles: [https://www.theguardian.com/education/2022/oct/27/schools-in-great-britain-warned-not-to-ban-minority-pupils-hair-styles](https://www.theguardian.com/education/2022/oct/27/schools-in-great-britain-warned-not-to-ban-minority-pupils-hair-styles)
Young, J. O. (2005). Profound Offense and Cultural Appropriation. *The Journal of Aesthetics and Art Criticism*, *63* (2), 135–146. http://www.jstor.org/stable/3700467

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Thank you, as with every time to Bella for your constant support, and a big thank you to Nubia for proofreading for me. Lots of love