Enrico Caruso; "Una furtiva lagrima"; L'ELISIR D'AMORE; Gaetano Donizetti

THIS IS THE SUCCESSOR CHANNEL TO "liederoperagreats" WHICH WAS RECENTLY TERMINATED.
Enrico Caruso--tenor
Orchestra
1911
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"Enrico Caruso (/kəˈruːzoʊ/,[1] US also /kəˈruːsoʊ/,[2][3][4] Italian: [enˈriːko kaˈruːzo]; 25 February 1873 – 2 August 1921) was an Italian operatic tenor. He sang to great acclaim at the major opera houses of Europe and the Americas, appearing in a wide variety of roles (74) from the Italian and French repertoires that ranged from the lyric to the dramatic. One of the first major singing talents to be commercially recorded, Caruso made 247 commercially released recordings from 1902 to 1920,[5] which made him an international popular entertainment star.

Enrico Caruso came from a poor but not destitute background. Born in Naples

During the final few years of the 19th century, Caruso performed at a succession of theaters throughout Italy until 1900, when he was rewarded with a contract to sing at La Scala. His La Scala debut occurred on 26 December of that year in the part of Rodolfo in Giacomo Puccini's La bohème with Arturo Toscanini conducting. Audiences in Monte Carlo, Warsaw and Buenos Aires also heard Caruso sing during this pivotal phase of his career and, in 1899–1900, he appeared before the Tsar and the Russian aristocracy at the Mariinsky Theatre in Saint Petersburg and the Bolshoi Theatre in Moscow as part of a touring company of first-class Italian singers.

The first major operatic role that Caruso created was Federico in Francesco Cilea's L'arlesiana (1897); then he was Loris in Umberto Giordano's Fedora (1898) at the Teatro Lirico, Milan. At that same theater he created the role of Maurizio in Francesco Cilea's Adriana Lecouvreur (1902). Puccini considered casting the young Caruso in the role of Cavaradossi in Tosca at its premiere in January 1900, but ultimately chose the older, more established Emilio De Marchi instead. Caruso appeared in the role later that year and Puccini stated that Caruso sang the part better.

Caruso took part in a grand concert at La Scala in February 1901 that Toscanini organised to mark the recent death of Giuseppe Verdi.
In 1903, Caruso made his debut with the Metropolitan Opera in New York City. The gap between his London and New York engagements had been filled by a series of performances in Italy, Portugal and South America. Caruso's contract had been negotiated by his agent, the banker and impresario Pasquale Simonelli. Caruso's debut was in a new production of Rigoletto on 23 November 1903. This time, Marcella Sembrich sang opposite him as Gilda. A few months later, he began his lifelong association with the Victor Talking Machine Company. He made his first American records on 1 February 1904, having signed a lucrative financial deal with Victor. Thereafter, his recording career ran in tandem with his Met career, both bolstering each other, until his death in 1921

In November 1906, Caruso was charged with an indecent act allegedly committed in the monkey house of New York's Central Park Zoo. The police accused him of pinching the buttocks of a married woman. Caruso claimed a monkey did the bottom-pinching. He was found guilty and fined 10 dollars, although suspicions linger that he may have been entrapped by the victim and the arresting officer. The leaders of New York's opera-going high society were outraged initially by the incident, which received widespread newspaper coverage, but they soon forgot about it and continued to attend Caruso's Met performances.[16] Caruso's fan base at the Met was not restricted, however, to the wealthy. Members of America's middle classes also paid to hear him sing—or buy copies of his recordings—and he enjoyed a substantial following among New York's 500,000 Italian immigrants.
Caruso's success in the Metropolitan Opera drew the attention of Black Hand extortionists.[17] They threatened to injure his throat with lye or harm him and his family if he did not pay them money.[18]
Caruso died at the hotel shortly after 9:00 a.m. local time, on 2 August 1921. He was 48.

Caruso's 25-year career, stretching from 1895 to 1920, included 863 appearances at the New York Metropolitan Opera before he died at the age of 48.

Caruso's voice extended up to high D-flat in its prime and grew in power and weight as he grew older. At times, his voice took on a dark, almost baritonal coloration.[48] He sang a broad spectrum of roles, ranging from lyric, to spinto, to dramatic parts, in the Italian and French repertoires. In the German repertoire, Caruso sang only two roles, Assad (in Karl Goldmark's The Queen of Sheba) and Richard Wagner's Lohengrin, both of which he performed in Italian in Buenos Aires in 1899 and 1901, respectively.[49]"; wikipedia edited